Lusine has collaborated with visual artists for live shows, incorporating projections and other multimedia elements into his performances.Ĭhords: Unfortunately, the chords for "Another Tomorrow" are not readily available online. The artist released an updated version of "Another Tomorrow" in 2014, featuring new vocals by Sarah McIlwain. Lusine has performed at major music festivals such as Coachella and Sonar. "Another Tomorrow" was well-received by critics, with music website Pitchfork calling it "a strong pop statement" and "one of the album's immediate treasures." In addition to his solo work, Lusine has also remixed songs for a variety of artists, including The Postal Service, Bloc Party, and Death Cab for Cutie.
Lusine has cited ambient pioneer Brian Eno as one of his major influences. The music video for the song, directed by Christophe Thockler, features abstract imagery created using various materials such as paper, sand, and ink. The track features vocals by Dutch singer Anneka van Giersbergen. "Another Tomorrow" was released in 2009 as part of Lusine's album "A Certain Distance."
Lusine (real name Jeff McIlwain) is an electronic musician and producer from Seattle, known for his ambient and experimental sound. If you find inaccuracies, you can request we run a fact check here or highlight specific content to report it. Interesting facts about "Another Tomorrow": Overall, the lyrics of "Another Tomorrow" convey a mix of conflicting emotions and a desire for resolution and connection. When coupled with the line "I light up my hand," it could be seen as a coping mechanism to deal with the stress and anxiety caused by this person. The mention of being "proud of me" could be interpreted as the person trying to reassure the speaker, but it also adds to the sense of inner turmoil. Despite this, there is still a desire to reconnect with them, as evidenced by the line "I'm looking tomorrow to see you again." The repetition of the phrases "Do you show you're stressing me, I'm over?" and "Do you try some other me? To leave me behind" suggest that the speaker is feeling overwhelmed and uncertain about their relationship with this person. Yet for all that the happiness The Waiting Room exudes, it seems more subtle and sedate than out-and-out euphoric.In Lusine's song "Another Tomorrow," the lyrics seem to convey a sense of emotional turmoil and longing for someone who is causing stress and confusion. Far more effective are "Panoramic" and "February"-both of which come closest to dance floor abandon. "Stratus"'s rippling bleeps are by far the album's most kinetic moment, yet as the song builds without ever really dropping, it begins to feel less like mounting tension and more like someone that doesn't know where to go, ultimately just fading out. But while McIlwain is operating within more rigid structures, another hangover from his ambient productions is that he can sometimes sound a bit directionless. Female voices are both more prevalent across the album and predominant in the mix than before, yet still work best when adding definition to the music rather than providing the main focus, whether they're hovering over the beats of "Without a Plan," rising alongside the synth line in "By This Sound," or flecked across the straight-up deep house track "Lucky."Īlthough nothing is above a pace you'd call perky, the strolling beats of "Another Tomorrow" sound confident and surefooted. He still approaches the concept of a pop song like a scientist with a scalpel, and the most orthodox song here-a cover of Electronic's classic "Get the Message"-is also the least successful, a simplistic synth-pop reworking that pales against its source.
Yet even if The Waiting Room is his most conventional album to date, McIlwain hasn't entirely abandoned his more experimental airs.
ANOTHER TOMORROW LUSINE FREE
The Waiting Room mostly glows with warm satisfaction, free of the melancholy that coloured albums like 2007's Language Barrier. This might suggest a feeling of discontent on his part-after all, why try and invent something new if you're happy with the way things are? By contrast, his eighth Lusine album feels like a very contented record indeed.
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